Replies to This Discussion

Permalink Reply by Toni on March 19, 2012 at 10:57am

Seems to me you've picked up a sense of what they are and what they're for. So I'd suggest that IF you must go this route then consider whether you intend to continue using an amp or want something to run through the PA (or a similar device like a wedge monitor instead of a guitar amp). Sounds like you may have answered that too.

If you must use an all in one modelling system, consider trying a Vox Tonelab and units from Boss, Zoom, Digitech, Eleven Rack etc. You may find you like the Line 6 tone  but if you don't (and I don't like what I've tried, though not either of the units you mention) then there are lots of other options available.

Two more things - If you do buy that HDR, take time to get used to the different response a valve amp brings, because it will have a different feel to the vox. As for buying high end boutique pedals - don't. Most of us can get wonderful tones from carefully selected quite ordinary pedals (Danelectro cool cats, Visualsound, Toadworks, Boss, Rocktron etc - my pedal board has a Behringer Trem pedal because it sounds great). For me, the reason for using a processor/programmable board is convenience, so that I can turn up with a guitar, amp and single bag, plug in 2 power leads and 2 instrument leads and be ready to play. It won't sound as good as the individual pedals, but it's extremely convenient.

Permalink Reply by Stevo on March 28, 2012 at 5:41pm

There really is no compelling "need" to have so many effects in worship. And certainly the congregation isn't normally discerning enough to tell if you used a Dumble or a Marshall or a Line 6. But heck, if it makes the player happy, maybe it's a way to keep him/her engaged. I would rather that people focus on playing better, but it's hard not be "into the gear". Heck, I just ordered a Timmy drive and can't wait for it to arrive. That being said, I can't recommend any of the modeling systems because I don't like the sound. Others may mind.

Permalink Reply by Stevo on March 29, 2012 at 5:52pm

Timmy - I don't know. I know it's not a mid-hump pedal, but it probably starts with a Tube Screamer as the base.

I have a curse like yours, but its not the switching that I'm hearing. It's the texture and warmth of most to all pedals that puts me off. However, I've heard some good overdrive from pedals. For me, the one thing that Solid State amps and Pods can never do is sound good clean. Plexi and Blackface clean have a tone and feel that I don't hear in solid state stuff.

I have NEVER heard a pedal that sounds "just" like a tube amp - even though that's the new claim that so many make. That being said, I like the sound of my Jetter Red Shift and the Timmy. If I could turn my amp up when I wanted an overdrive sound, I would never use a pedal. But alas, I'm never in venues like that. If I understand correctly, Angus Young uses little or no effects. That classic sound is just Marshall and Gibson under his fingers. I like that sound. 

Permalink Reply by Toni on March 29, 2012 at 6:35pm

TBH the one thing that, for me, makes the biggest difference between good and bad overdrive tone is the speaker. But I do dislike that spattery, fuzzy drive tone, and love a tight, crisp tone.

Permalink Reply by Stevo on March 29, 2012 at 9:22pm

Fizzy splatty tone is the worst. And you get it in spades from cheap tube amps as well as many pedals. I got rid of a Boss BD2 because it was so fizzy all the way to the end of the note.

Speakers are one element I've never had the time or money to play around with. I would love to take  a couple of my amps to a place where I could plug in several different speaker configurations to see what tone I get.

And I have heard that the cost of the speaker isn't necessarily a factor.

Thanks for bringing that up.

Permalink Reply by Stevo on March 31, 2012 at 12:44am

Oh yea, I forgot to agree on the Fender amp. That Hot Rod Deluxe has a great clean tone and will break up nicely for you. It's a way underrated amp these days best tube amp out there for that price. It's actually used quite a bit by professional touring musicians and is also very reliable.

Permalink Reply by Michael Anthony on September 15, 2012 at 8:47pm

i use an HD 300. I useit both in service throught the board and through my Marshall Half Stack in my Christian Rock Band. I read up on it and after a brief conversation with Mike Sweet from Stryper who also uses one i went with the HD300 best move I have ever made! I can do so much with  it, and I cam set my settings through the computer system as it links straight to it!  Go with the HD !!!

Permalink Reply by Matthew Stahlmann on September 17, 2012 at 4:49am

I have had the HD 500 for about a year or so.  Everything in the M13 has been included in the HD pedals.  The M13 does 4 effects at a time which the HD 300 does, but the HD adds all of the amp and cab models as well.  I am not sure about the HD 400.  The HD 500 which I have gives you 8 effects at once.  I think it is superior to the M13 and the cost is only about $150 more.  You have the option of choosing 3 different output modes (Stack, Combo/Power Amp, Studio/Direct).  You can also shut off the amp and cab simulation and run the HD as a pedal board.  It really is a no brainer to go for the HD pedal.  It's the M13 plus more...